论江淹作品的儒家倾向

On Confucian Tendency of Jiangyan's Works

魏晋南北朝时期是中国文化史上一个极为重要的阶段,它基本上完成了中国传统文化中的三大内容———儒释道在思想上初步融合的过程。江淹的作品正体现了儒释道三者的融合,而且这种融合具有比较自觉的意识。纵观江淹现存的作品,其中的儒家倾向非常明显。如忽略此点,就不能很好地把握江淹作品的创作思维和艺术成就。我们从确凿的史料出发,论述江淹作品儒家倾向形成的原因及其具体体现。

Wei,Jin and Southem and Northem Dynasties are the significant stages in Chinese culture history, its basically completed the preliminary fusion process of the three major parts in Chinese traditional culture in thought Confucian, Buddhism and Taoisrn.At the same time, Jiangyan＇s works are the embodiment of fusion in Confucian,Buddhism and Taoism, moreover the fusion has comparative self- conscious consciousness. Take a wide view the existing work of Jiang Yan, the Confucian tendency of it is obvious. Neglecting this wouldn＇t enable us to grasp the creation thought and artistic achievement of JiangYan＇s works well.From the point of irrefutable historical material,the author discusses the forming reasons and the concrete embodiment of the Confucian tendency of Jiang Yan＇s works.