摘要
作为昆剧史开篇的《浣纱记》,对后世戏曲舞台影响深远,近现代的戏曲舞台上依然活跃着它的影子。该文仅选取《浣纱记》的《泛湖》作为切入点,从多方面探讨了作者违背历史文献记载,安排功成名就的范蠡偕同西施泛湖隐退的创新与影响。
Huanshaji, as the opening page of Kun Opera History, has profound influence to the later opera stages. Its shadow is still alive on modern opera stages. This paper, only selecting Huanshaji ended by Fanhu as the accessing point, probes from many aspects, into the writer＇s violating historical records, and the innovation and influence of arranging Fan Li＇s hermit with Xi Shi deep on the lake.
出处
《石河子大学学报（哲学社会科学版）》
2008年第3期56-58,共3页
Journal of Shihezi University(Philosophy and Social Sciences)
基金
石河子大学哲社发展规划项目"中国古代戏曲中妇女爱情婚姻观的演变研究"的阶段成果(项目编号RVSK07-Z32)
