有形诗与无形画——试析埃莱娜·西苏的绘画隐喻与“女性书写”

Hélène Cixous' Painting Metaphor and Her écriture Feminine

在中西方,诗和画被看作"姊妹艺术"。埃莱娜·西苏的核心理论"女性书写"从本质上说就是对性别差异的诗意书写,因此与绘画也具有"孪生"关系。本文通过探讨"女性书写"的诗性本质、西苏对绘画的评论以及绘画与"女性书写"之间的关系,发现绘画对"女性书写"具有隐喻意义,二者之间存在许多共同之处,其中最重要的是"女性书写"和绘画都具有"开放性",都需要用心灵去感受。

Poetry and painting are often regarded as 'sister arts.' Cixous' écriture Feminine,as a kind of poetic inscription of sexual difference,is so closely related to painting that together,they constitute the 'twin adventures' she has undertaken.Both displays the characteristic of 'openness' and both affirms 'the fidelity to what one feels.' By exploring the poetic feature of écriture feminine and examining the way Cixous delineates painting,this article attempts to elaborate the metaphorical meanings which painting holds for feminine writing.