论明代前七子李何之争

On the controversy of LI and HE of seven scholars in the Ming dynasty

对明代前七子李何之争的文艺现象进行了反思。李何之争是李梦阳文艺思想的主要表现之一。通过文献分析,认为历史对于李梦阳的评价是不公正的。李梦阳的文艺思想有三个特点。(1)李梦阳在探讨何者为文艺"法式"的问题上,主张学习古文的结构规律,他不仅强调"文必有法式",主张文学创作要学习古典法式,而且还重视法式的灵活运用。李梦阳认为艺术创作要"应诸心",他这样认识文学创作是具有真理性的。(2)李梦阳把写字与作文做比类,这是符合艺术规律的,这样并没有什么错误。任何一个人,绝对不会主张文学创作要搞"模拟剽窃"的。后代文人把李梦阳关于写字与作文作比类的思想,认定为文学创作模拟理论,这是不符合客观事实的。(3)李梦阳偏好雄浑深厚的文学风格。在争论中,他不仅反对何景明偏好清俊响亮的风格,指责何景明的主张是"同室操戈"。这些思想不免有些狭隘偏激之乖。

The controversy of LI and HE of seven scholars in the Ming dynasty was discussed. It is important for LI Meng - yang＇ s literary theory. The related documents show that comment for LI Meng - yang is not fair in literature. LI Meng-yang＇ s literary theory has three points ： （ 1 ） LI Meng - yang considers that scholars must learn classical literature and its method and that literature writing must express the men heart. Like HE Jing-ruing, LI Meng-yang objects to the imitation of classical literature rigidly. （2） LI Meng-yang considers that creative work is like writing Chinese words. That is right. （3） LI Meng-yang is fond of the grandeur style, opposing delicate style which HE Jing-ruing likes to. That is LI Meng-yang＇ s error.