摘要
南朝书画家王微所作《叙画》是中国美学史上重要的文献,王微在文章中提出的灵动的画之情理论不但确立了山水画的独特的美学地位,而且蕴含了灵动的生命美学的思想,在中国生命美学的历史中有独特的地位。《叙画》中提出的画之情理论闪耀着王微的生命美学思想的光辉。
Depiction of painting by the southern painter and calligrapher Wang wei is the important documents in Chinese aesthetics history. The nimble and resourceful picture sentiment of Wang wei is proposed in the article has established the landscape painting unique aesthetics status, and moreover contains nimble and resourceful life aesthetics thought, has unique status in the Chinese resourceful life aesthetic history. The theory of sentiment of the picture has been proposed in Depiction of Painting shines the light of Wang Wei's life aesthetics.
出处
《和田师范专科学校学报》
2008年第4期103-103,共1页
Journal of Hotan Normal College
关键词
王微
叙画
画之情
生命美学
Wang wei
Depiction of painting, picture sentiment
Life aesthetics