崇高美学的文论与当代中国文论的建设

Sublime Aesthetics Literary Poetics and Construction of Contemporary Chinese Literary Poetics

崇高美学的文论特征就是更加趋向于不确定性、精神自由性,自然和精神、想象和知性之间的不和谐性。崇高美学是后现代主义在美学领域对现代性的重写。崇高美学和先锋派艺术要表现可能性的东西,形成了非主体可能论,它要反对现代主义的主观偶然论和启蒙美学的主观必然论。实际上,美、审美和艺术应该是充满着必然性、偶然性、可能性的,因为它们是实践的产物,而社会实践本身就是一个必然性和偶然性的辩证统一过程,这个过程充满着各种各样的可能性,实践的变化会消解一切永恒不变的模式,构建起多元并存的开放格局;而且美、审美和艺术的变化频率会随着社会实践的变化频率的加速,越发令人眼花缭乱,目不暇接。为了使人成为多维的主体(全面发展的人),通过人类的社会实践而逐步踏过文明的自由之路的阶梯走向审美王国的真正具有人文理性的、人性的世界,中国特色的当代文论应该把握在精神生产和话语生产之中的必然性、偶然性和可能性的辩证统一,建构起多维主体发展论。

The features of Sublime Literary Poetics of Sublime Poetics are even more leaning to uncertainty, spiritual free and non-harmonious between nature and spirit, imagination and reason. Sublime Aesthetics is the rewriting concerning modernity in aesthetic field. Sublime Aesthetics and avant-garde arts would display possible thing and then form non-subject possibility. It would oppose theory of subjective contingency of modernism and subjective necessity of enlightenment aesthetics. In fact, beauty, appreciation of beauty and arts should be filled with necessity, contingency and possibility. This course is filled with all sorts of possibilities. Practical changes can remove all timeless modes and construct multiple, coexisting, opening structure. Moreover, the changing frequency of beauty, appreciation of beauty and arts can make people more dazzled and cannot take them all in with one＇s eyes following the changing frequency of social practice. In order to make people become multidimensional subjectivity and step on the ladder of civilized free way gradually and then move towards the world of aesthetic realm, and Chinese characteristic contemporary literary should establish the dialectical unity of necessity, contingency and possibility in spiritual production and discourse production.