谈戴望舒诗歌的音乐性问题

On the Musicality of Dai Wangshu’s Poems

对于一些新诗人古板地追求格律化而导致的弊端,戴望舒在他的诗论与创作中表现出了一位真正诗人的探索与思考。他去掉了古典诗歌的"格律"形式的束缚,以及新格律派诗歌过分注重的外在音乐美,提出了中国新诗的第三种节奏。这是新诗创作中音乐性不同方面的转变,是新诗音乐性的"内化"。

Dai Wangshu makes real explorations and thinking in his poetic theory and composition about the problem caused by some modem poets＇ over rigidly pursuit of the metrical pattern of the poems. He breaks loose from restraint of the rules and forms of classical poems and of excessive attention of the musical beauty of the new metrical poems, correspondingly putting forward the idea of ＂the third rhythm＂ of Chinese modem poems, which is the transformation of musicality＇s different aspects and the interiorization of musicality of modem poem.