论戴震文字学体用观的创新意义及影响

Innovation Significance and Influence of Dai Zhen's "Four Natures and Two Usages"

自汉代"六书"问题提出至今,语言研究者大多围绕"六书"为造字方法做了不懈的探讨,但分歧也多。通过对古代语文学语境中文字、音韵、训诂三位一体的考察,并结合戴震"六书"文字体用观的推阐与运用,对"四体二用"问题再做历史解读,以突出戴震文字学理论的深远影响及其对今天语言学的启示意义。

Most linguists have made profound study on ＂liu shu （six formation methods of character）＂ since the Han Dynasty, but there have remained different views. By examining the script, phonology, and exegesis in ancient philological context, and combining Dai Zhen＇s view of ＂liu shu＂ character style-practice, this article reinterprets the issue of ＂four natures and two usages＂, in attempt to highlight the profound influence of Dai＇s theory on present linguistics.