摘要
巴什拉提出诗意想象论不仅克服了传统想象论的二元对立的不足,而且也纠正了现象学主观性的毛病,认为想象是想象的主体和想象的客体之间的不断的相互作用。这一思想体现在以下三个方面:想象的主体性和主体间性;物质的想象和动态的想象;想象的表达作用。巴什拉诗意想象论的美学意义在于承认想象的整合作用,使人不断地高于自己生活着。
The poetic imagination tendered by Gaston Bachelard overcomes the duality of traditional imagination and describes imagination as a perpetual interaction between human subject to imagine and the object to be imagined. This idea expresses itself in the following three points： subjectivity and trans-subjectivity, material imagination and dynamic imagination, and imagination as a means of expression. The aesthetic significance of poetic imagination lies in that it acknowledges the function of synthesizer of our universe and it enables us to live above ourselves.
出处
《同济大学学报（社会科学版）》
CSSCI
2008年第3期66-72,共7页
Journal of Tongji University:Social Science Edition
基金
上海市教委社科项目(项目编号:05FZ34)
关键词
诗意想象
主体性与主体间性
物质想象与动态想象
诗意表达
poetic imagination
subjectivity and inter-subjectivity
material imagination and dynamicimagination
poetical expression
