“海宇混一”鼓舞下的元代盛世文风

On the Style of Writing in Yuan Heyday Period under the Great Unifying World

盛世文风非元代所独有,前之宋,后之明,都出现了盛世诗文。宋、明两代的盛世文风,都被认为是粉饰太平,歌时颂圣,缺乏实际内容,是没有价值的。但元代的盛世文风却不同,它不是强大政治力量介入的结果,而是文人们自觉的倡导。元代文人描述其"盛世",主要说大元"海宇混一"、"华夷一统",其疆域之大,跨越汉唐,而不是对政治和朝政的颂扬。创造不负于时代的文风,是元代文人们要自觉肩负起的历史责任,因而他们呼唤盛世之文,批评种种有悖于盛世文风的文学风气。"盛世之文"实际上是这一部分文论家的文学理想,其作品并非一味美化现实,并非不反映现实问题。它是一种文风追求,而不是对诗文内容的规定。文学史研究中与元代盛世诗文相关的一些非客观的认识,都是应该(?)正的。

There were several periods for the heyday style of writing not only in Yuan dynasty but also in Song and Ming periods which had been regarded as worthless to extol the heyday period without virtual contents. The situation in Yuan dynasty was totally different since the writers advocated voluntarily rather than the result of pofitical suppression. The contents which Yuan writers described the heyday period were about Yuan huge territory exceeding Han and Tang dynasties rather than to extol the politics. The Yuan writers took the responsibilities to advocate the heyday style of writing which was the literature ideal of some writers. The subjective factors for the study of the heyday style of writing should be make corrections.