变与不变:屈骚美人意象及其余影管窥

Beauty Images in Qu Yuan's Cifu Works and Their Influence

屈原作品曲折动人,部部是心灵的组曲,郁结纡轸,意象丰富而深远,他是第一个将意象思维系统化的人,一系列的"美人"题材,不仅表现对理想热烈追求的想望,语言情境结合真实与虚幻的遭遇和想象,情幻无垠,更启示宋玉《高唐》《神女》等赋的写作,汉代以后,贾谊、司马相如、扬雄等拟骚作家及其作品,在题材的选择与书写上,处处可见屈原作品意象思维的余影。

Every piece of Qu Yuan＇s works expresses his deep feeling of heart with complex and moving plots. The images in his works are abundant and have far - reaching meanings. He is the first writer who systematizes the image thinking. In the series of his works with beauty as the theme, he exhibits his aspiration after pursuing his ideal by combining language circumstance with real and visional experiences and imagination, creating a boundless fantastic world. This writing style enlightens Song Yu in his writing of Gaotang and Shennu （ both are fu works）. After the Han dynasty, in the selection of subject andfu writings of Jia Yi, Sima Xiangru and Yang Xiong, we can find the trace of the image thinking of Qu Yuan＇s products.