《都柏林人》中的空谷回声——论乔伊斯的作者隐退策略

The Strategies of Detached Narration in Joyce's Dubliners

《都柏林人》这部短篇小说集自问世以来大多被评论者划入现实主义一类,但作品中使用的叙事策略:第一及第三人称有限视角的大量使用,不同视角间的频繁转换,以及对于叙述声音的控制,证明作品中的叙述主体有悖于现实主义小说传统,是一个退居幕后的、现代性的叙述者。

While Dubliners is usually regarded as a collection of realistic tradition, this paper focuses primarily on its narrative strategies, namely, the extensive use of the first person and the third person limited point of view, the frequent shifts among different points of view, and the manipulation of narrator＇s voice, to demonstrate that a detached narration is employed in the work, which is one of the core features of modernist novel.