庐山石刻景观的格局分析

Pattern Analysis on the Stone Carvings Landscape in Lushan Mountain

庐山石刻景观是历朝历代文人学士政治家们以庐山自然山石为载体,以勒石刻字为手段,反映各历史时期人类思想印痕的物质文化现象,成为研究中国文化的重要珍贵资料,是构成庐山文化景观遗产的有机组成部分。从魏晋南北朝一直到1949年共911年间,庐山共产生了933块石刻,各朝代间的时间格局呈现出明显的不平衡性。在空间格局上,以庐山管理局为中心的平均石刻距离为7.87千米,平均海拔高度为549米。平面格局与垂直格局也存在着一定的负相关关系,距离越远,海拔越低的区域范围内,分布着更多的石刻。

Crude stones being the conveyer and carvings being the means, the stone carving in Lushan is a phenomenon of material culture by politicians and scholars of dynasties. From the Wei, Jin and Northern ＆ Southern Dynasties to the year of 1949, the stone carvings landscape in Lushan Mountain totalizes 933 pieces in 39 areas within the 911 years. The distribution of time pattern is out of balance. The average distribution distance of stone carvings is 7.87KM and the average altitude is 549 meters. Plane pattern correlates negative with upright pattern, the farther the distance, the more the tablet distribution in lower altitude.