摘要
蒙古族民间多声部音乐中,以一声部为旋律,其他声部为持续音的多声部形态,既具有鲜明的蒙古族传统民间音乐风格,又具有多层次的、合而不同的多声部音乐特点。探讨蒙古族民间多声部音乐持续音技法,有助于蒙古族民间音乐的深入研究,有益于蒙古族风格的多声部音乐创作,有利于蒙古族音乐的传承与发展。
In the Mongolian folk counterpoint music, one voice is the cantus and the other voices are sustained sound in counterpoint modality. It has both distinct style of Mongolian traditional folk music and the features of counterpoint music with multi -levels and combined but different. It helpful to the further study of Mongolian folk music, beneficial to the creation of Mongolian Style counterpoint music, and useful to the inheriting and development of Mongolian music to probe into the sustained sound technique of Mongolian folk counterpoint music.
出处
《内蒙古大学艺术学院学报》
2008年第2期5-10,共6页
Journal of Art College of Inner Mongolia University
关键词
蒙古族
民间音乐
多声部音乐
持续音技法
Mongolian people
folk music
counterpoint music
sustained sound technique
counterpoint music
sustained sound technique