摘要
在喇嘛教特定的世界观与价值观的支配下,跳"查玛"完全是以宗教教义的思维方式和心理定势来反映现实和认识世界的。由于"查玛"是通过形象化演示,使人们在"艺术美"的感染中去加深对教理教义的理解的,所以才使这种题材的舞蹈形式本身也包涵着人类对客观世界与个人精神世界的心理期待。
Dominated by the particular Wehanschauung and value of Lamaism, " Chama" dance reflects the reality and understand the world completely by the way of thinking and psychological influence Of the religious doxy. Duo to the visualized demonstration of "Chama " dance, people understand the doxy and principles more profoundly in the influence of the "art beauty". Therefore this makes the dance form itself of with this kind of theme contains the human psychological expectedness of the objective world and the individual spiritual world.
出处
《内蒙古大学艺术学院学报》
2008年第2期123-125,共3页
Journal of Art College of Inner Mongolia University