摘要
经历了一百多年的中国电影,在各种传统类型中都有所发展和突破,而对于主流电影的样式和规范的问题却一直困扰着我们,尤其是在类型方面的拓展成了我们亟需面对和解决的问题。在近几年中国电影的创作中,一种反映最底层人们生活状态、塑造最底层人物群像的电影类型——民生电影逐渐成型,它以平民视角进行人文叙事,这种方式本身所具有的强大的生命力昭示着这种已然长期存在的电影类型必将成为主流电影发展的方向,并且引领中国电影走向世界。
In their over 100-year history in China, films have made breakthrough and development in all traditional types, while the patterns and norms for mainstream films have confused us a lot. Among the films shot in the past few years, civilian films, reflecting the living statuses and images of people in the grassroot class, have become a special type and are featured as humanistic narration in civilian perspective. The vitality of livelihood films indicate that they will be the mainstream for films, and will guide film industry in China to the world.
出处
《南通大学学报(社会科学版)》
2008年第4期136-140,共5页
Journal of Nantong University:Social Sciences Edition
关键词
民生电影
平民视角
人文叙事
livelihood films
civilian perspective
humanistic narration