摘要
审美变形是指人类运用其以想象力为核心的主体审美创造能力,通过激活和塑造人类精神活动所获得的意识形态材料,使它们摆脱认识属性与伦理属性的功利性束缚,从而使人类与对象世界的审美关系得以表达出来。艺术作品的审美属性是由于审美变形活动生产出来的,审美变形是艺术美实现最根本的基础,也是实现艺术作品审美价值的必要手段。尽管不同艺术家的审美变形手段具有无法描述的多样性,但它们的基本特征却是相同的。具体说来,审美变形机制主要包括这样两方面内容,即艺术主体的"陌生化"原理,艺术对象的"审美外观"创造,它们本质上都是对于日常感觉模式与日常形式结构的审美突破的结果。
Esthetic transfiguration refers to the esthetic creation ability of the main body which takes imagination as core operated by human, and makes the ideology material get rid of the utilitarian fetter of the understanding and ethics attribute through activating and molding them attained by human spirit activity, thus causes the esthetic relations between human and the object world to be expressed. The esthetic attribute of the artistic works is produced because of the esthetic transfiguration, and the esthetic transfiguration is the most basic foundation on which art beauty can be realized, also the essential method to realize the esthetic value of art works. Although different artists' esthetic transfiguration means can be of indescribable multiplicity, their essential feature is actually same. Mentions specifically, esthetic transfiguration mechanism includes mainly two aspects: one is the "defamiliarization principle" of the artistic main body, the other is the "esthetic outward appearance". Both are essentially the results of esthetic breakthrough to the daily feeling pattern and form structure.
出处
《泰山学院学报》
2008年第4期1-4,共4页
Journal of Taishan University
基金
国家社会科学基金项目(07BZW011)
关键词
审美变形
陌生化
审美外观
Esthetic Transfiguration
Defamiliarization
Esthetic Cutward Appearance