摘要
《BACH解密》一书是《时空重组—巴赫〈平均律键盘曲集〉新解》的提炼、总结与衍生。《"BACH"与十二音序列技术的发端》是其中第四章,以大量事实证明"BACH"在巴赫音乐中作为通向十二音序列技术的一个有效突破口,从巴赫音乐中总结提炼出"平面呈现型"、"纵向切割型"、"分段对应型"、"连续减七型"与"音数递增型"等5种在十分狭窄的有限时值区域内集中出现全部十二个音的处理方法;有力证明了巴赫音乐对十二音序列技术所起的无可辩驳的发端作用。
Many facts have proved that the note series 'BACH' in Bach's music was an effective breakthrough point leading to twelve-note series technique.Extracted from his music,five patterns,which are actually all the approaches for this technique found in very limited durations,are strong evidence that Bach's music was the undoubted forefather of twelve-note series technique.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2008年第2期51-60,共10页
Art of Music(Journal of the Shanghai Conservatory of Music)