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澎融与哀玄的不同表征——试析中日古典悲剧中的梦幻色彩

Comparative Analysis on the Revery Manifested in the Classical Tragedy Between Japanese and China
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摘要 中国与日本在文化方面一衣带水,在戏剧艺术上更是渊源深厚。虽然两国古典戏剧拥有不少相似相依之处,但是,仔细分析中日古典戏剧我们也很容易发现,中日悲剧其实不尽相同,特别是在能剧的代表题材"梦幻能"之中更加呈现出"澎湃圆融与哀艳幽玄"的不同美学风格,展现了中日古典戏剧不同的悲剧美。 Several hundreds years ago, tragedy has become the focus of attention for the artists all over the world. In dramatic art, there are some similarities and differences between China and Japan. That can be proved by analyzing the classical dramas between the two countries, especially the themes of drama. The dreamlands are often taken as the theme of the drama. The different aesthetic styles of drama displayed in the classical dramas, such as surging and matey, plaintive and phantasmagoric, bring forth different tragical beauty between Japan and China .
作者 孙昱璐
出处 《鸡西大学学报(综合版)》 2008年第4期126-128,共3页 JOurnal of Jixi University:comprehensive Edition
关键词 悲剧 中日戏剧 澎湃圆融 哀艳幽玄 tragedy drama surging and matey plaintive and phantasmagoric

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