中国现代文学进程中象征主义的一种解读

Analyzing the Symbolism in Chinese Modern Literature

象征主义思潮在"五四"时期传入中国,为中国作家开辟了新的视域,但作为一种异质的文学思潮进入中国现代文学,呈现出历时与共时结合,吸收与反拨多元融合的复杂态势。本文着重以鲁迅、戴望舒为例,谈谈他们在各自的创作中对象征主义的艺术融合,从而代表了中国现代作家对象征诗艺的运用已经超越了单纯借鉴和模仿的层面,向更为圆熟的艺术创造发展。

The symbolism was introduced into China during the ＂WuSi＂ period, and opened up the new sights of Chinese writers. But as a heterogeneous literature trend, its dissemination in the historic process of Chinese modern literature is not along the single track of dissemination-accept but along the diverse and complex trend of combination of diachronic and synchronic methods, absorption and fostering in Chinese special situation. This paper takes Luxun, Daiwangshu for instances to illustrate the art fusion of symbolism in their respective creation. Art fusion represents that the application of symbolism poetry art by Chinese modern writers has transcended pure drawing lessons and simulation and it also tends to the successful development in art creation.