摘要
在李欧梵的中国现代文学想象中,浪漫、鲁迅和现代主义构成了其历史想象的主要情节,现代性则是李欧梵历史情节组织的主要句法,是他历史解释的主要策略。这便形成了他的以现代性为中心的中国现代文学想象。之所以如此,在于李欧梵的历史想象与自身所处的"现在"的潜在对话关系,是一种"有我"的历史想象。
In Lee Leo Ou-fan's imagination of modern Chinese literature, romancel, Lu Xun and modernism compose the main plots, and modernity is the major syntax by which he organizes his historical plot and the major strategy of his historical explanation. Thus his main tendency is centered on modernity. The ultimate mason of this is that Lee Leo Ou-fan's ideas about life filter into his historical imagination. There is a latent relation between His historical imagination and the present that be is in . In other words, Lee Leo Ou-fan's historical imagination is a kind of self-realm.
出处
《厦门大学学报(哲学社会科学版)》
CSSCI
北大核心
2008年第4期11-18,共8页
Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
关键词
李欧梵
现代性
中国现代文学
历史想象
Lee Leo Ou-fan, Modernity, modern Chinese literature, historical imagination