认同与超越：中国当代女性艺术

Recognition and Transcending： Chinese Contemporary Feminist Art

在历史的长河中，“女性与艺术”的关系，无论中西方，都曾是一些雅好艺术的人们轻松愉悦的谈资，或埋头书斋皓首穷经的学者们暂时摆脱艰涩枯燥研究的消遣性课题。其中，女性是审美的对象，是灵感的源泉，是艺术与文学的缪斯，她们在文本和图像中不断地被书写、被描绘、被歌咏，被赞美。

The course of Chinese female liberation was closely connected with the independence and liberation course of the nation in the early half century of 20th century, and was united with the national socialism construction from the 1950s to 1970s, Until Reforming and Opening, with the reaffirmation and reesteem of indivual value, with a great number of western modern art theories, modem art trends （including feminist doctrine and art） entering China, female experience and value began to obtain real attention and recognition, and gender difference and different cultural art value entered people＇s thoughts. Since the 1990s, Chinese feminist art creation is mutiple and flourishing. With complex Chinese modem history background and vivid individual experience, feminist art rapidly becomes aimportant power in Chinese contemporary art field, which mounts not only the stage of domestic contemporary art.