摘要
戏曲是中国独有的艺术瑰宝,有着上千年的悠久历史,中国戏曲声乐理论经过历代艺术家、理论家的美化,使其得到更加久远的历史继承,尤其是它在"咬字发音"、"吐字行腔"等方面的技巧和"气息运用"、"韵味风格"等方面的把握上,都是我们在民族声乐的演唱中要学习继承和借鉴的。中国传统戏曲的演唱与民族声乐的演唱虽有差异,但相互促进,共同发展。
The drama is the Chinese sole artistic treasure which has over a thousand year glorious histories. All previous dynasties artist theoreticians had beautified the Chinese drama vocal music theories that they could obtain the even more historical inheritance, especially in "picking words to pronounce", "spitting words and singing own tone" and on the other skills, grasping "the breath utilization" and "the flavor style", all are we should study and inherit in the national vocal music. Although the operating on Chinese tradition drama and the national vocal music has the difference, but they promote mutually, development together.
出处
《湖北广播电视大学学报》
2008年第8期77-78,共2页
Journal of Hubei Radio & Television University
关键词
传统戏曲
演唱技巧
民族声乐
traditional drama
the operating skill
National vocal music