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“超越泥性”的阐释——关于中国当代陶艺的现代文化理念建构 被引量:6

THE INTERPRETATION OF "OUTSTRIPPING THE NATURE OF CLAY"——THE MODERN CULTURE VALUE CONSTRUCTION OF CONTEMPORARY CHINESE CERAMIC ART
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摘要 中国当代陶艺更多地涉及及当代人类思想感情,是借陶艺的原始媒材重新阐释人类风雨兼程的时代精神,反映了陶艺本身那种原创的生命力。在当代文化艺术背景下,它由传统的根土意识的视觉形象模式,转化为表现当下人类生存状态与诠释思想嬗变的精神文化现象,它并切合了中国当代文化的精神和价值观念,激活了当代陶艺的现代话语对文化历史的思考产生了积极意义。 Contemporary Chinese ceramic art involves present human thoughts and feelings. With the original medium of ceramic art, it reinterprets the spirit of the times, going forward regardless of wind or rain, and reflects the original vitality of ceramic art in itself. In the context of contemporary art and culture, it has been transformed from the visual image mode of traditional indigenous sense to the spiritual and cultural phenomenon that reflects the present state of human existence and interprets the evolution of thoughts. It has also fit in with the spirit and values of the contemporary Chinese culture, activated the modern language of contemporary ceramic art, and made a positive significance on the thought of cultural history.
作者 姜波
出处 《中国陶瓷》 CAS CSCD 北大核心 2008年第8期72-73,69,共3页 China Ceramics
关键词 媒材形态 文化指向 观念架构 视觉理念 medium formation, culture indication, concept structure, visual concept
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  • 1薄松年.中国美术史教程.西安:陕西美术出版社,2003年

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