《文心雕龙·风骨》的美学意蕴

The Aesthetics Charm of Feng Gu of Wen Xin Diao Long

"风"与"骨"是既有区别又紧密相联的文艺美学范畴,从构成文章的两大要素——情、辞角度看,"风"侧重对情的美学内蕴的规范,表现为一种灵动的活力;而"骨"则侧重于对辞的美学内蕴的规范,表现为一种静态的品质。"风"、"骨"都源自作家的"气",它们是作家之"气"赋予作品的内蕴之美。"风骨"和"采"达到圆练的统一,才是作品理想的审美境界。

＂feng＂ and ＂gu＂ are two aesthetics concepts which are different while has close connection with each other. From the view of＂qing＂ and ＂ci＂, the two main aspects of forming an article, ＂feng＂ stresses a standardization of aesthetics inner meaning for ＂Qing＂, showing a spirit of activity; While ＂gu＂ puts its stress on ＂ci＂, showing its character of stability. Both ＂feng＂ and ＂gu＂ come from ＂qi＂ of the author, they are the inner beauty of the article come from ＂qi＂ of the author. It will eventually come to the ideal aesthetics charm only when ＂feng gu＂ and ＂cai＂ come to combination.