摘要
本文指出文学以意为主的传统观念更适用于小说文类,对中国古典抒情诗可能是一例外。以王夫之《夕堂永日绪论》为例,以诗歌有机整体观统摄全篇,王夫之分别从四个方面对此做出阐释:1、"一时一事一意":整体观的确立;2、意与势:以"势"(形式)的屈伸变化线性特征和烟云缭绕空间特性来融化"意"(内容),实现形式、内容的密合无间。3、现量说:诗之产生当下的审美直觉实现内心、情境、时机的统一;4、破陋人之法:整体观的反面确立。
This paper points out that the traditional idea ＂concept is a dominant factor in literature＂ is applicable to the genre of fiction, but that traditional Chinese poems may be an exception. Take Xi Tang Yong Ri Introduction for example, the idea ＂poem is an organism＂ unites the whole book. Wang fuzhi explains it from four aspects： one time, one event and one idea; concept and momentum; present theory; and breaking the rules made by some injudicious men.
