摘要
韩国公州宋山里6号坟的形制结构与武宁王陵一样属于典型的"建康模式",其时代比武宁王陵略晚,墓主推测是武宁王之子百济圣王,墓壁发现的"四神"壁画明显受到南朝绘画艺术风格的影响。"建康模式"的砖室墓在百济葬制中的植入,应与百济东城王六年遣使中国南齐要求内属有关,可能是百济内属时期的制度规定与要求之一。
No. 6 Tomb at Songshanli, South Korea like Wuning Mausolin, belongs to the typical ＂Jiankang Pattern＂. The tomb comes after Wuning mausolin, the owner is probably Baiji Holy King, the son of Wuning Emperor. The four supernatural beings painted on the walls is, obviously, influenced by the Southern Dynasties＇ （in China） painting skill. The appearance of ＂Jiankang Pattern＂ in Baiji（South Korea） should be related to its wish to be affilated to China in the 6 year of Dongchen Emperor, which may also be one of rules at that time.
出处
《东南文化》
CSSCI
北大核心
2008年第4期28-39,共12页
Southeast Culture
关键词
韩国公州
宋山里6号坟
“建康模式”
百济
Gongzhou South Korea No. 6 Tomb Songshanli ＂Jiankang Pattern＂ Baiji
