摘要
盛唐延续了初唐的去音乐化运动,古风中的乐府和歌行盛行,造成了音乐消费的空缺,以七言绝句为代表的声诗大量涌现以满足对声乐歌词的需求,这种现象一直延续到中唐时代,直到词体形式的代兴,才渐次出现了词体取代声诗的现象,因此,盛唐绝句声诗的兴盛可以看作词体发生的前夜。
In prosperous period of the Tang Dynasty, music had been gradually removed out of daily life and Yuefu and Gehang were highly praised, which led to the vacancy in music consumption. The advent of Shengshi poetry represented by qiyan poems fulfilled the needs for music lyrics. It lasted to the middle of the Tang Dynasty when Ci poetry became popular and took its place. Thus, Shengshi poetry and Jueiu in the prosperous period of the Tang Dynasty can be regarded as the preliminary form of Ci poetry.
出处
《新疆大学学报(哲学社会科学版)》
CSSCI
2008年第4期120-127,共8页
Journal of Xinjiang University(Philosophy and Social Sciences)
基金
教育部"大学生创新性实验计划"结项成果之一(2007B12055)
关键词
声诗
绝句
词体前夜
Shengshi poetry
Jueju
Preliminary form