剥离与消解系统中成就的审美境界——从庄子“美学”到“庄子”美学

Aesthetic Realm Achieved from the System of Stripping and Dissolution——From Zhuangzi's "Aesthetics" to "Zhuangzi" Aesthetics

庄子美学,既是庄子的"美学",又是"庄子"的美学。庄子的"美学",不可大而化之地等同于其哲学,其审美境界亦不可泛化为人生境界。从庄子的哲学到美学,有一个转化与抽绎的过程。"庄子"的美学,不能仅仅停留在无目的性、无功利性及直觉体验性等美学共性上,而应当进一步指出其与众不同的个性。庄子的审美境界,在他独特的对"形质"、"功利"、"认知"以至整体的"有"的层层剥离与消解的系统中展开。

The Zhuangzi Aesthetics is both Zhuangzi＇s ＂ Aesthetics＂ and ＂ Zhuangzi＂ Aesthetics. Zhuangzi＇s ＂Aesthetics＂ cannot be broadly understood to be his philosophy, nor can his aesthetic realm be generalized into his realm of life. There is a process of transformation from Zhuangzi＇s philosophy to his aesthetics. On the other hand, ＂Zhuangzi＂ Aesthetics not merely lies in such universal aesthetic features as the aimlessness, anti-utilitarianism and intuitional experience, but in Zhuangzi＇s unique personality. Zhuangzi＇s aesthetic realm unfolds itself in his unique system in which form and matter, utility, cognition, and even the holistic concept of ＂having＂ are stripped and dissolved layer by layer.