晚清民国书画经典文献编撰评析

Evaluation on the Compilation of Classical Works of Calligraphy and Painting during the Late Qing Dynasty and the Republic of China Period

晚清民国,中国艺术处于前所未有的历史转型时期。这一时期的书画艺术文献的编撰与当时中国政治文化背景和学术思潮有着密切的关联,带有明显的时代特色。刘熙载的《书概》是我国书画艺术文献编撰史上较成功地使用阴阳辩证手法编撰的典型范例。康有为的《广艺舟双楫》体例严谨、写作手法高妙,处处体现出尊魏卑唐、倡变求新的价值取向。余绍宋《书画书录解题》开了书画典籍文献系统分类之先河,渗透着很强的观念因素,使得本属于目录学著作的《书画书录解题》一书,深含思想观念的革新。

During the late Qing Dynasty and the Republic of China period, the Chinese art was in an unprecedented historical time of transformation. The compilation of works of period has close connection with the background of Chinese politics and culture calligraphy and painting at this and the academic trends of that time, bearing clear characteristics of that age. Liu Xizai＇s General Survey of Handwritings is a typical model in the history of the compilation of the artistic works of calligraphy and painting in China for successfully using the dialectic techniques of Yin and Yang for compilation. Kang Youwei＇s Double Oar of Guangyizhou, which is rigorous in style and superb in writing technique, reflects his value orientation of advocating the writing style of the Wei Dynasty instead of that of the Tang Dynasty and pursing reformation. Yu Shaosong＇s Classified and Annotated Bibliography of Books on Calligraphy and Painting sets a precedent for the systematic classification of classical works on calligraphy and painting and his book is permeated with a strong conceptual factor which renders this bibliographical book to have rich ideological innovations.