摘要
四十年代袁可嘉针对中国新诗出现的两种不良倾向,借鉴新批评理论,系统地阐述了新诗现代化理论。新诗现代化理论在本体论、有机综合论、戏剧化论等方面吸收新批评的合理成分,与中国实际情况相结合,发展了中国的新诗传统诗歌理论。
In the 1940s Yuan Kejia proposed the theory of Modernization of Chinese New Poetry to correct the two wrong tendencies of Chinese New Poetry. By learning from the New Criticism and combing with the reality, the theory of Modernization of Chinese New Poetry has some relevance and difference with the New Criticism, especially in the three points of the ontology, the organic holism and the dramatism. The theory of the Modernization of Chinese New Poetry is a development of the traditional theory of Chinese New Poetry.
出处
《四川教育学院学报》
2008年第6期45-47,共3页
Journal of Sichuan College of Education
关键词
袁可嘉
新诗现代化
新批评
本体论
有机综合论
戏剧化
Yuan Ke-jia
the Modernization of Chinese New Poetry
the New Criticism: ontology
organic holism
dramatism