摘要
中国传统画论、文论中,"笔墨"被仅当做存在于文本表现阶段的创作技巧和各种媒介形式的总称。郑燮的绘竹理论表明,"笔墨"作为一种思维方式,存在于艺术创作过程的各个环节之中。
The ink was only seen as a generic term of various creation skill and media in Chinese theory on drawing and literature. In fact, Zheng Xie＇ s theory on drawing bamboo indicates that the ink is a thinking way of links in the artistic creation.
出处
《长江大学学报（社会科学版）》
2008年第3期122-124,共3页
Journal of Yangtze University（Social Sciences Edition）
关键词
笔墨
创作过程
思维方式
ink
process of creation
thinking way
