摘要
王朔一向是以反传统的文化姿态出现的,但是深入考察王朔笔下的女性形象,不难发现其小说内部蕴含着丰富的神话原型,由此可见,一向以反传统的文化姿态出现的王朔不可能割断传统,那些照搬现代、后现代理论的批评无疑是对王朔的误读。另外,从这些女性形象的塑造中,我们可以觉察到王朔创作中浸透着几千年来中国文化传统男权意识对女性角色的价值规范和内在欲求,可以说在通过女性描写达到对人性的深入挖掘方面,王朔并没有完全冲破传统识见,而是在进一步重复陈旧的模式。
WANG Shuo has been impressing upon us as an avant-garde writer. However,through the analysis of the female images in his works,it can be seen that many myth-archetypes have been embodied in them. And therefore,even if he has been impressing upon us as an avant-garde writer, he can't break off the relations with tradition. Those various criticisms according to the western literary theories are undoubtedly misreading his works. From his portrayal of these female images, it can be observed that in his works ,Wang Shuo has penetrated the traditional male supremacy that has existed for thousands of years in Chinese culture into the criteria exclusively for women and the internal desire for them. In reviewing his works, such a conclusion can be drawn that through exploring the humanity by portraying such female images, Wang Shuo doesn't and can't break off the relations with tradition. Instead, he is still following the traditional fashion and continuing to use the timeworn mode.
出处
《重庆交通大学学报(社会科学版)》
2008年第4期48-52,共5页
Journal of Chongqing Jiaotong University:Social Sciences Edition
关键词
女性形象
神话原型
男权意识
female image
myth-archetype
male supremacy