摘要
油画作为一个外来画种,在艺术的表现形式上多种多样,但归纳起来不外乎再现与表现两种。无论是再现性油画还是表现性油画,都是通过一定的形式语言表达一定的观念和主张,这些观念和主张是理性内容与感性形式的统一。中国油画何去何从,是一个民族性的问题。油画家们在任何时候不要忘记,引进与学习别人的最终目的是为了自己的创造。油画是个性与民族思想统一的体现,这也是民族油画兴起的根本。
Oil painting, which is from abroad and has various forms, generally has reproduction form and expression form. Both through a certain form and language express a certain idea and view, which is a unity of sensible content and sensual form. The future of Chinese painting is an ethnic problem. The painters should remember at any time that the terminal purpose of importing and learning from others is to create our own. Painting is an embodiment of the unity of personality and ethnic thoughts as well as the foundation of the rise of a national painting.
出处
《重庆交通大学学报(社会科学版)》
2008年第4期142-144,共3页
Journal of Chongqing Jiaotong University:Social Sciences Edition
关键词
油画
再现
表现
印象派
民族文化
oil painting
reproduction
expression
expressionist
national culture