摘要
19世纪末,西方世界的文化同他的军队一起涌进青岛。随着教堂的建立,教会音乐等西洋音乐开始兴起,小提琴、键盘乐器等西洋乐器的演奏技法传入青岛。五四运动以后,在“新思想、新道德、新知识、新文化”的热潮中,西方音乐更广泛地融入到青岛的社会文化变革中,使青岛音乐文化呈现出兼容并蓄、具有独特外来文化特质的特点,并成为近代中西音乐交流的一个典型。其间许多音乐爱好者由接触到深入,铺就了青岛早期的音乐基石。百年之后,后人踏着这条基石,一次次将青岛的音乐之旅带进新的航程。
Qingdao has come out top in China＇s music history, The first violin in China was made by a musician named Wang Mei in Qingdao in 1935. China＇s first violin professor Tan Shuzhen, who was representative of the performers on western musical instruments at that time, was from Qingdao. Moreover, Qingdao used to be regarded, along with Gulangyu in southern Fujian Province, as one of two cities in China with the rich musical soil. In the 20th century, Qingdao had the most private ＂qin＂ （general name for musical instruments） in China, among which the number of violins ranked top, the number of hu qin （two-stringed bowed instrument） ranked second, the number of pianos ranked third,
出处
《走向世界》
2008年第15期60-63,共4页
Openings
