摘要
文章通过对中国早期山水画遗存中的水的形态的探究,得出早期画山水的图像中已经有几类水法的图式初现,即在画山水的滥觞期各种水的画法均已出现,只是表现技巧上尚显稚嫩。这些图式在发展过程中相互融合,相互激励,为以后魏晋南北朝时期山水画的独立以及北宋以后山水画的兴盛成熟作了图式形态上的准备。
By exploring the forms of remained water of the early Chinese landscape paintings, this paper holds that some schemas of water technique have already emerged in the images of the paintings, namely, different ways of painting water have come into being at the beginning period of landscape paintings, simply, the representing techniques shows immature. These schemas are integrating and encouraging mutually in the process of development, which pave the way for the independence of landscape paintings in Wei, Jin Southern and Northern dynasty and the prosperity and maturation of that after the Northern Song Dynasty from the aspects of formula and form.
出处
《四川教育学院学报》
2008年第7期97-98,100,共3页
Journal of Sichuan College of Education
关键词
早期
山水画
水图式
early stage
landscape painting
water schema