摘要
作为"诗六义"之一的"兴"被认为是一种艺术表现方式,但是学术界对"兴"与"兴诗"又明显地言说不清。究其原始,兴诗是先民物占谣辞的演化,虽然最终"兴"完成了从神秘思维向诗国文化的过渡,但是我们无法割裂其与原始巫卜文化尤其是《周易》间千丝万缕的联系,深入分析,不难发现"兴诗"与《周易》属于一脉同源的文化重构。
Xing as one of Liuyi in the Book of Song is concurred to be artistry. But there is some bogus between Xing and Xing poems in academic field. Because Xing poems, which have close relations with the Book of Change, had evolved from ballad verse in the course of divination of primitive ancients.
出处
《石河子大学学报（哲学社会科学版）》
2008年第4期41-45,共5页
Journal of Shihezi University(Philosophy and Social Sciences)
基金
石河子大学"263"骨干教师资助项目(WX03014)阶段性成果
关键词
兴诗
物占
《周易》
巫卜文化
the Xing poem
object divination
the Book of Change
witchcraft culture
