道教与唐代道蕴诗的审美范式

Taoism and the Aesthetic Paradigm of Taoism-Significant Poetry in the Tang Dynasty

隋唐之际,道教日益兴盛发展,对唐人的生活方式、行为方式、思维方式以及审美方式产生极大影响。由于唐人将道教某些理念演化为诗歌创作指导思想,把道教修炼的某些方式引进诗歌创作,因此唐诗中常常深蕴着浓浓的道教意味。诗人们普遍受道教影响,其审美心理、审美趣味、审美经验往往趋同,从而形成唐代道蕴诗的审美范式,并表现在惆怅美、静穆美、傲岸美、感伤美等层面。

During the Sui and Tang dynasties,the increasingly flourishing Taoism greatly influenced people's ways of life,behavior,thinking and aesthetics.As aspects of Taoist doctrines evolved into guidelines to govern the poetry creation and ways of the Taoist practice also were introduced,some poets written in the Tang Dynasty always reflected thoughts of Taoism and consequently came into being an aesthetic paradigm,which featured identical aesthetic psychology,taste and experience,and which displayed beauty in a sense of melancholy,solemnity,pride and sentimentality.