波德莱尔的审美现代性思想及其开创性意义

On Charles Baudelaire's Aesthetic Thought of Modernity and Its Initiating Meaning

波德莱尔首次将美学现代性意识定位于当下生活的瞬间感受上,对他来说,现代性不是一个时代或一个时段,而是由无数个"现在"构成的时点。这种英雄现时型的现代性一方面要将飞逝的时刻保持住或永久化,另一方面需要艺术家创造性的想像来加以表现。文人雅士、嬉皮士、花花公子或浪荡子成为这种现代性体验方式最为集中的体现,他们追求的审美化生存彰显出对资本主义社会及其商品文化的抗拒,从而初步确立起现代主义最为基本的原则——艺术自律性。波德莱尔"恶之花"的艺术和审美观念,不仅对西方同样也对中国的传统审美价值及社会世俗观念构成了巨大挑战,从而开创出现代艺术"审丑"的新的美学潮流,对整个现代主义的发生、发展产生了深远影响。

Charles Baudelaire firstly located the aesthetic of modernity in the feeling of present. For him, modernity is not a epoch but a time point composed by the countless ‘present’. The hero’s present feeling type of modernity on the one hand should everlasting the flight moment, and on the other hand require the artist＇s creative imagination to manifest it. Hippy, elegant scholar and dandy is the typical model of this type of modernity, their exist way of aesthetic according to dispute the capitalism society and its commercial culture initial established the fundamental principle of modernism namely the autonomy of the art. Baudelaire’s ugly consciousness had an influence on the trend of mondernism in the worldwide.