摘要
柏格森从时间角度入手对艺术进行的阐述不仅是一个理论上的创举,更是他对美学理论的一大独特贡献。在对古代传统时间观念和近代牛顿绝对时间的思考和批判基础上,柏格森对时间的独特解说和界定,扭转了深受机械论和目的论影响的艺术思维习惯,开启了由古典艺术空间化的审美趋向向现代艺术时间化趋向的转折和突破。
Bergson' s elaboration of art from time perspective is not only a great achievement in theory, but also a distinct contribution to the aesthetic theory. On the basis of contemplating and criticizing the ancient and traditional perception on time, and Newton's absolute time, Bergson' s unique interpretation and definition of time reversed artistic thinking habits, which had been deeply influenced by mechanism and objectivism, and marked a turning point and a breakthrough on beauty appreciation in the transition from classic art space viewpoint to modern art time viewpoint.
出处
《西北民族大学学报(哲学社会科学版)》
北大核心
2008年第3期145-148,共4页
Journal of Northwest Minzu University(Philosophy and Social Sciences)