论中国画中诗与画的关系

A Preliminary Study of the Relationship between Poem and Painting in Chinese Painting

我国绘画史中,诗与画的关系往往表现为诗境与画境的关系,二者统一于艺术思想的追求。诗与画的关系贯穿于每个时代,而在每个时代,不同的历史背景和人文环境的影响下,诗与画的结合点各不相同。诗画是在忽略其载体、关注其精神内涵、追求共同的意境的基础上结合为一体的。诗与画仍有着不同的形式,属于不同的艺术范畴,诗与画虽然相通,但各有特征、功能以及界限,不能将诗等同于画。只有诗画相辅相成,将有画境的诗与画结合,达到共鸣的情绪,形成艺术家独创的意境,才构成中国画独具特色的中国画。

In the long history of painting in China, the relationship between poem and painting used to be referred as the relationship between the context of poem and painting, which is also united to reflect the Chinese art thoughts. Although this relationship has gone through each era, the joint is still different because of the influence from the different historical background and humanities environment. The unit is based on the ignorance of the background, combined with the attention to the spirit and the pursuit of the common context. But they still have the different forms, which belongs to the different art categories. And their respective characters, functions and limits distinguish each other. The unique character of Chinese painting only can be displayed when the painting combines with the poem, forming the spiritual resonance and the context that only the artists can create.