摘要
周作人的审美主义,是在现代西方文化和中国传统文化的非对称博弈的场景中形成的,其核心是传统的"乐生"观念和现代的"大地"意识对道德、宗教、国家等意识形态保持着警惕与疏离,强调以个人主义和自由主义构建此在人生和艺术实践,具有鲜明的时代意义,但同时也存在着超历史的局限。
Zhou Zuo-ren＇s aestheticism is formed between the struggle of ancient Chinese culture and modem western culture, the center of which is the idea of happy life and the consciousness of ground, Zhou Zuo-ren always maintains vigilance to the ideologies and ethics, religion and nation, focuses on constructing life and art practice with individualism and freedom, and shows his humanistic considerations. Zhou Zuo-ren＇s aestheticism displays both the meaning of times and historical limitations.
出处
《西华大学学报（哲学社会科学版）》
2008年第4期40-43,共4页
Journal of Xihua University(Philosophy & Social Sciences)
关键词
周作人
审美主义
“乐生”观念
“大地”意识
Zhou Zuo-ren
aestheticism
the idea of happy life
the consciousness of ground
