摘要
鬼魂形象的出现符合戏剧哲理学,是民族文化意识的具体表现,它的演变也是社会发展的需要。对中国戏曲与西方戏剧中的鬼魂形象表现模式进行比较,辨析戏剧和戏曲在审美原则方面的根本差异,对作家创作心理与整个社会心态作进一步探讨,发掘出鬼魂形象艺术上的独特魅力以及中国戏曲不同于西方戏剧的艺术价值和文化意蕴。
The emergence of the ghost-or-spirit image ,whose evolution is also the demand of social development, accords with the philosophic theory about drama and manifests the national culture. After analyzing and comparing the performance mode of the ghost-or-soul image,the article is intented to discuss the differences between chinese and western culture ,as well as to differentiate artistic value and culture meaning between Chinese traditional opera and western drama.
出处
《韶关学院学报》
2008年第5期32-35,共4页
Journal of Shaoguan University
关键词
中国戏曲
西方戏剧
鬼魂形象
Chinese traditional opera
western drama
ghost-or-sp
irit image