《被沉没的教堂》的音乐分析及演奏——兼论钢琴演奏中的整合问题

Analysis and Play to La Cathedrale Engloutie——The Integration in Piano Performance

如何提高对音乐作品的理解及演奏中的整合能力,一直是困扰钢琴演奏者自我完善的一个首要问题,本文通过对法国印象派作曲家德彪西的钢琴作品《被沉没的教堂》的详细解析,在音乐风格的整合以及演奏处理方面做了较深入的论述。文章还论及了音乐分析与钢琴演奏的"二度创作"及其相互间的辩证关系。

It has been a primary problem that How to improve the ability of understanding and integrating of music works in the play of perplexing pianist to self-perfect all the time. This text has done deeper argumentation in question with this, and concurrently touched upon briefly dialectical relation between music analysis and piano the concrete analysis to the work La Cathedrale engloutie of Piano Prelude of Debussy＇s.