从叙事空间的失落看朱仙镇年画在现代社会的濒危

The Severer Danger of Zhuxianzhen's Woodcut Painting in Modern Times from the Fall of Narrative Space

朱仙镇年画衰落一个重要的原因是庙会狂欢及戏曲叙事空间的消失。庙会狂欢为年画创制提供了自由浪漫幻想的审美文化背景和对于叙事对象的心理需要,庙会的戏曲则为年画直接提供了图像叙事的原型。口头传说、民间故事也与年画的生存密切相关,年画图像与隐在传说故事以"图—底"互文叙事而并存,这个张力场的现代失衡,是使朱仙镇年画日趋濒危的内在因素。

One of the most important reasons for the disappearance of Zhuxianzhen's Woodcut Painting is due to the disappearance of narrative space. Temple fair carnival provide cultural surroundings for the folk artists and the drama on temple fair provide images for the Woodcut Painting directly. Woodcut Painting and folk story like picture and its background, there is a consanguineous relationship between painting and folk story. If one disappeared, the other also would be affected greatly. The vanishing of narrative space plays an important role in the disappearance of Zhuxianzhen's Woodcut Painting in modern times.