摘要
在中国古代文学史上,苏轼第一次实现了诗与画在画面上的真正结合。聚焦苏轼题画诗,我们可以看到他以诗为传播媒介,阐释了画的意义。他既融会了诗画的相通之处,又保持了各自的特色。种类丰富的苏轼题画诗向受众言传了画中之意,也表达了画外之意,同时还深刻阐发了诗艺观点。
In China ancient times in the history of literature, Su Shi first time has realized the poem and the picture in picture true union . Focuses the picture poem of Sushi, we may see he take the poem as the vector, has explained the picture significance. He both merged the poem picture to be interlinked the place, and maintained respective characteristic. The type rich Soviet horizontal wooden board on the front carriage body topic picture poem to received the audiences to explain in the picture meaning, also expressed outside the picture meaning, meanwhile profoundly has explained the poem skill viewpoint.
出处
《安阳师范学院学报》
2008年第4期60-61,共2页
Journal of Anyang Normal University
关键词
苏轼
题画诗
传播
Su Shi
picture poem
dissemination