现代性之性别立场:彷徨与追求——中国现当代文学中几位“恶女人”形象比较

Gender Standpoints of Modernity: Indecision and Pursuit——Comparison among Several "Evil Women" Images in Chinese Modern and Contemporary Literature

通过对中国现当代文学中几个具代表性文本的细读与比较,可发现两性叙事中,"恶女人"形象酷似的表象下,沉潜着本质不同的性别立场与现代性追求。男性叙事中强烈的启蒙诉求背后,凸现了男性现代性性别立场的犹豫与彷徨。在女性文本中,"恶女人"之"恶"是女性意识的象征,鲜明的主体意识、女性生命意识已成为女性话语的明确追求,这种性别意识的现代性追求在文化层面上承续并丰富了"五四"文学开启的启蒙现代性内涵。

It can be found that different gender standpoints and modernity pursuits are held in the texts by the two gender writers behind the resembles representation of the evll women image, which is to be done by reading attentively and comparing several representative texts in Chinese mordern and contemporary literature. In male texts, the modernity gender standpoint is proved to be a kind of hesitation and indecision behind their strong enlightenment demands. While in female texts, the essence of evil women image is nothing but a symbol of female consciousness. Sharp self and female consciousness have become clear pursuit in female discourse. This modernity pursuit of gender consciousness has inherited and enriched the connotation of enlightenment modernity opened by the May 4th literature.