摘要
意识流是最先来到新时期文坛的西方现代派文学潮流之一。它的到来不仅丰富了新时期小说的创作类型,而且促使新时期小说在审美观念上发生变迁。在这一变迁过程中,王蒙、莫言的小说创作可谓代表。从文学史角度讲,他们小说中的意识流经历了一个从理性规范到感觉发现的流变,这一流变又促进了1980年代文学对"人"的发现与表现,促进了新时期文学中人学观念的复生。
The stream of consciousness was among the first Western modem literature tides to emerge in the literature of the new era. The arrival of the stream of consciousness not only enriched the types of novel writing in the new era, but also changed the aesthetic view of the novels in the new era. Of the novels, Wang Meng' s and Mo Yan' s works could be called representative works. From the perspective of literary history, the stream of consciousness in their novels experienced a shift from reason to perception, which in turn pushed the development of the discovery and representation of "human beings" in the literature in the 1980s, facilitating the revival of the concept of homonology (human studies) in the new era' s literature.
出处
《苏州科技学院学报(社会科学版)》
2008年第3期74-78,共5页
Journal of University of Science and Technology of Suzhou:Social Science
基金
江苏省教育厅2008年度高校哲学社会科学基金指导项目"意识流艺术在中国新时期小说中的流变"(08SJD7500013)阶段性成果
关键词
王蒙
莫言
意识流
理性
感觉
Wang Meng
Mo Yah
the stream of
reason
perception