留法美术学生与中西美术交流——以林风眠为分析对象

Art Students Returned from France and Sino-Western Art Exchanges——Taking Lin Fengmian as an Example

20世纪二三十年代,从世界美术中心法国陆续归来的留学生成为中国现代美术界的主流,他们以其独有的留法背景和深厚的西方艺术学养致力于中国美术和西方美术的交流与调和,不仅对中国现代美术教育和美术事业的发展贡献卓著,而且在促进中西美术交流方面也成绩斐然。林风眠是留法美术学生中的佼佼者,回国后致力于传播西方艺术,推动中国美术发展,调和中西方绘画并取得创造性成果,在中西方美术交流史上扮演了重要的角色。

In 1920 -30s, Lin Fengmian was in charge of national art education more than ten years and devoted to art communication between China and the West so as he returned from France and was appreciated by Cai Yuanpei. He made a great contribution to China modern art education and the Sino -Western art exchanges.