摘要
傅山"四宁四毋"理论对中国传统艺术的审美思想转变有着很大影响,其理论的提出是中国传统思想、美学精神、书风演进等多因素影响的结果。但理论精神并没有得到很好的实践,主要原因是理论核心背离了传统的审美精神。
"Si Ning Si Wu" theory of Fu Shah has great impact on the aesthetic thinking changing of traditional Chinese art. It is the result of the traditional Chinese thinking, aesthetic spirit, the evolution of calligraphy and other factors. The theory, however, has not been praticed well mainly due to the core of theory which departs from the traditional aesthetic spirit.
出处
《曲靖师范学院学报》
2008年第4期112-114,共3页
Journal of Qujing Normal University
关键词
书法美学
书法风格
艺术实践
四宁四毋
calligraphy aesthetics
calligraphy style
practice of Art
"Si Ning Si Wu" theory